Applications of Linear Algebra to Electrical Engineering Research Paper

Applications of Linear Algebra to Electrical Engineering - Research Paper Example This paper illustrates that matrices are used to find the simplest method of solving complex electrical circuits. A mesh is a loop that has a single current flow path. In the circuits where there are different current paths and different voltages, the simplest method is to utilize the matrices to solve for the currents and voltages. Every electrical network must have three basic quantities current, voltage or potential difference and resistance. There could be impedance or reactance at the place of resistance but the two quantities voltages and current are the constant in every electrical network. Many scientists proposed theories shoe the relation between the voltage or potential difference, current and resistance but ohms law presented the best relation in between the three quantities. The writers ‘Shamieh Cathleen and Gordon McComb’ in the book ‘Electronic for Dummies’ write â€Å"Ohm’s law is a master key, unlocking the secrets to the electronic circuits†. The problem then arose in solving the complex electrical networks, which have more than one resistance, current, and voltages. At every loop, the current is different and at every node, the difference in voltage and current could be seen. To solve the matter the engineers and scientists relied upon utilizing the different mathematical methods and formulas but linear algebra has the right method to solve the complex electrical circuits and electrical networks. Kirchhoff’s laws presented by Gustav Kirchhoff in 1845 relate to the power conservation in the electrical circuits and have vast applications in electrical engineering. As we know the Ohm’s law states that V = IR, it is the simplest estimation to calculate the voltage or current into the circuit if the third variable is known. Kirchhoff’s voltage law states, â€Å"The algebraic sum of the voltages around any closed path in a circuit is identically zero for all time†. In this way, if we consider a mesh in which, there only a single loop, the method that represents the mesh current is used to the determine the current in each of the mesh. If we have a single loop consider the situation, it will be easier to evaluate the unknown quantity but it the circuit consists of several mesh circuits, the will be complex to evaluate an unknown current in different mesh circuits. For this reason, Kirchhoff’s voltage law provided an easier method to apply it to every mesh of the circuit. It should be kept in mind the circuit contains resistances, and if a mesh has a resistor that the other mesh also has, the voltage must be the product of the resistance and the subtraction of analyzed current and other currents.  

Chinese History Essay Example for Free

Chinese History Essay The Tang dynasty came into existence after the collapsed of emperor Yangdi’s imperialist reign which unified China, and his death in the hands of his own trusted aid in 618 A. D. From the rubbles of rebellion and war against the emperor, a powerful General named Li Yuan; Duke of Tang and chief officer of Taiyuan City, emerged as the man of the hour. General Yuan joined the rebellion against the emperor and reestablished order and the authority of the central government when the smoke of rebellion had cleared. He became the founder of the Tang dynasty and reign as Tang Gaozu. Li Shimin (Tang Gaozong) on the other hand is the second son of General Li Yuan. Being thoroughly trained in martial skills and was very much acquainted of the administrative procedures he has acquired primarily from his exposure when his father was the principal commander of the Sue dynasty, appointed to command the army facing the Sue remaining forces, at the age of only nineteen. David Graff described his military skills as â€Å"one case where the use of the word genius does not seem at all inappropriate† Li Shimin was highly successful in his career as a military general and his military strategy according to Graff â€Å"is worth noting. † Before he became emperor in 626, he has displayed contrasting behavior with regard to his strategy, which was extremely cautious, and when he is in combat in which he always places himself â€Å"at the head of the final, decisive cavalry charge†¦. † How Well the Respective Career of the first two Tang Emperors fit to the Chinese Proverbs on Empire Building and Governance and Model to this Proverb. The proverb maybe fits rightfully to the first two Tang emperors in terms of the way they acquired the empire and how they built it to become the most prosperous and most powerful country in the world during this time. It was during the reign of these two emperors that China experienced its glorious period as their economy, culture, politics and military might attained an unequaled superiority level. Tang Gaozu seized the imperial power after a bloody rebellion that took the life of emperor Yang that mark the end of Sue dynasty, while it heralded the coming of a new dynasty under the able military leadership of Li Yuan. The reign of Tang Gaozu as the first emperor of the Tang dynasty spent its reign mostly in subduing the remaining forces loyal to Emperor Yang in different provinces and cities of the whole country. All throughout his reign he was facing major problems relating to the threat of war by the Eastern Turks and the Tibetans who posed serious challenges to China’s security, and major invasion was a constant possibility. Until his last moment in power however, Tang Gaozu’s hold in China was not sufficiently secure to risk committing the forces to war against the Turks, thus, his reign can be characterized as more on military maneuvering in order to survived the different challenges the empire were facing. The Emperor then being the chief of the military forces assigned his sons and relatives to command forces numbering thousands, and all throughout his reign, the empire did not perform political and economic activities; it was purely military that characterized this particular reign. That means, Emperor Tang Gaozu ‘conquer the empire on horseback’ but it was his son Li Shimin who ‘built the empire from horse back. ’ Tang Gaozu spent his reign in conquering the whole empire that was broken into many independent forces loyal to the former emperor. This situation has indeed proved to be difficult as the empire was unable to wage war against the Turks and the Tibetans. According to Warren Cohen, â€Å"Gaozu had little choice but to buy peace;† however, what Tang Gaozu had failed to accomplished, his son did. Tang Gaozong also known to most Chinese historians as Tang Taizong, came into power in 627. His ascendancy to the throne was not at all smooth and easy, rather marked by his murderous scheme in connivance with some of the high-ranking military officials particularly those in-charge of the palace gates. Xueshi Guo noted that Li Shimin found himself at a â€Å"disadvantage in challenging his brothers,† to be heir to throne. After getting support from some powerful military generals, he staged a military coup against his brothers in 626 after which he killed both his brothers. According Guo, bare two months after the successful coup, â€Å"Gaozu was forced to to appoint Li Shimin as his successor and two months later he handed over his power completely to Li Shimen. † Taizong Ascended to the throne in 627, which marked a new era for the Chinese society. Having warned by the officials who recalled the disastrous consequence of Sui Imperialism, they urged the new emperor to concentrate on domestic affairs. Warren Cohen noted that Taizong or Gaozong listened to their advice and implements a more diplomatic policy in relation to the Turks. Because of this diplomatic policies, Cohen Pointed out â€Å"in due course China was prosperous again, its people well fed and responsive to his rule. † Taizong was indeed a great leader but he was moderate in his expansion policies compared to his father who. Taizong had more time to economic activities that bolstered China’s growing prosperity, he re opened trade routes, and the eliminations of tolls once exacted by those who had previously controlled passage across central Asia. Cohen further noted, â€Å"Student of Tang history will note the peaceful expansion of China’s contacts with rest of the world during Taizong’s days on the throne and China’s power and wealth attracted people from all over Asia, the Middle East, and Africa. † Based on these historical accounts, the implication of the Chinese proverbs rightly fits these first two Tang emperors. They were both powerful military ruler. Li Yuan curved out the empire on ‘horseback’, that is; through rebellion and war, and reestablishing the empire through conquering every forces that challenges the new power, while Tang Gaozong or Tang Taizong, the successor, strengthened the empire and brings more prosperity, stability and peace through a more enlightened civil and military administration. They may have some difficulty to be model of this Chinese proverb, for some reason. Both had acquired imperial power through violent means. Li Yuan had staged a rebellion against the emperor Yang and had perhaps connived with some palace officials to murder the emperor. Tang Gaozong on the other hand, conspired with some powerful military generals and orchestrated a coup against his own brothers and killing them and forcing his own father to hand over to him imperial throne. Nevertheless, on the ground of their accomplishment, they can fit to be model of this proverb. Gaozu was able to curve out a new empire that has more regard to its citizens, unlike with its predecessor who was ruthless and oppressive. An empire that was willing to take on new economic challenges that brought stability, peace and prosperity to its citizens. These two Tang emperors must be credited in their efforts that has brought enormous prosperity, and respect to Chinese people all over Asia, and to the world and if making them heroes will be a compensation of their achievements for the Chinese society, then they were very much deserving of such compensation. They deserved to be model of the proverb.

Essay on The Redemption of King Lear -- King Lear essays

The Redemption of King Lear? Shakespeare’s play, King Lear is quite renowned and the folly of the ancient King is a great example of how not to handle family relationships. The question has been proposed if King Lear is redeemed when reunited with Cordelia. King Lear does achieve a kind of redemption when he is reunited with Cordelia in Acts IV and V of the tragedy. What kind of redemption he achieves is open to interpretation. In order to understand the King's redemption, it must be determined what the King is redeemed from. Once this sin is established, an analysis can be made as to when the King is redeemed, and how. I propose that King Lear's folly, for which he is later redeemed occurs in Act I scene 1. As an opening scene should, this scene sets up all the characters of the play. In this scene, Lear intends to divide his kingdom among his daughters based on their flattery in professing their love for him. This superficial nature is a flaw in the King's character. King Lear's oldest two daughters, Goneril and Regan, flatter the King to his liking, easily deceiving him. Cordelia, the young daughter prefers to "Love, and be silent."(892). The King is enraged at Cordelia's silence, even though in truth she loves the king more than her sisters. King Lear disowns Cordelia: Let it be so! Thy truth, then be thy dower! &... ...sp; And ask of thee forgiveness. So we'll live, And pray and sing and tell old tales, and laugh . . . The gods themselves throw incense. Have I caught thee? He that parts us shall bring a brand from heavens (959). Unfortunately the King's redemption is short for the ending of the play is in the true nature of a tragedy, and in fact epitomizes the genre.

The Witch by Edilberto K. Tiempo

The Witch By Edilberto K. Tiempo When I was twelve years old, I used to go to Libas, about nine kilometers from the town, to visit my favorite uncle, Tio Sabelo, the head teacher of the barrio school there. I like going to Libas because of the many things to eat at my uncle’s house: cane sugar syrup, candied meat of young coconut, corn and rice cakes, ripe jackfruit, guavas from trees growing wild on a hill not far from Tio Sabelo’s house. It was through these visits that I heard many strange stories about Minggay Awok. Awok is the word for witch in southern Leyte.Minggay was known as a witch even beyond Libas, in five outlying sitios, and considering that not uncommonly a man’s nearest neighbor was two or three hills away, her notoriety was wide. Minggay lived in a small, low hut as the back of the creek separating the barrios of Libas and Sinit-an. It squatted like a soaked hen on a steep incline and below it, six or seven meters away, two trails forked, one go ing to Libas and the other to Mahangin, a mountain sitio. The hut leaned dangerously to the side where the creek water ate away large chunks of earth during the rainy season.It had two small openings, a small door through which Minggay probably had to stoop to pass, and a window about two feet square facing the creek. The window was screened by a frayed jute sacking which fluttered eerily even in the daytime. What she had in the hut nobody seemed to know definitely. One daring fellow who boasted of having gone inside it when Minggay was out in her clearing on a hill nearby said he had seen dirty stoppered bottles hanging from the bamboo slats of the cogon thatch.Some of the bottles contained scorpions, centipedes, beetles, bumble bees, and other insects; others were filled with ash-colored powder and dark liquids. These bottles contained the paraphernalia of her witchcraft. Two or three small bottles she always had with her hanging on her waistband with a bunch of iron keys, whether she went to her clearing or to the creek to catch shrimps or gather fresh-water shells, or even when she slept.It was said that those who had done her wrong never escaped her vengeance, in the form of festering carbuncles, chronic fevers that caused withering of the skin, or a certain disease of the nose that eventually ate the nose out. Using an incantation known only to her, Minggay would take out one insect from a bottle, soak it in colored liquid or roll it in powder, and with a curse let it go to the body of her victim; the insect might be removed and the disease cured only rarely through intricate rituals of an expensive tambalan. Thus Minggay was feared in Libas and the surrounding barrios.There had been attempts to murder her, but in some mysterious way she always came out unscathed. A man set fire to her hut one night, thinking to burn her with it. The hut quickly burned down, but Minggay was unharmed. On another occasion a man openly declared that he had killed her, showi ng the blood-stained bolo with which he had stabbed her; a week later she was seen hobbling to her clearing. This man believed Minggay was the cause of the rash that his only child had been carrying for over a year. One day, so the story went, meeting his wife, Minggay asked to hold her child. She didn’t want to offend Minggay.As the witch gave the child back she said, â€Å"He has a very smooth skin. † A few days later the boy had skin eruptions all over his body that never left him. Minggay’s only companions were a lean, barren sow and a few chickens, all of them charcoal black. The sow and the chickens were allowed to wander in the fields, and even if the sow dug up sweet potatoes and the chickens pecked rice or corn grain drying in the sun, they were not driven away by the neighbors because they were afraid to arouse Minggay’s wrath. Besides the sow and the chickens, Minggay was known to have a wakwak and a sigbin.Those who claimed to have seen the si gbin described it as a queer animal resembling a kangaroo: the forelegs were shorter than the hind ones: its fanlike ears made a flapping sound when it walked. The wakwak was a nocturnal bird, as big and black as a crow. It gave out raucous cries when a person in the neighborhood had just died. The bird was supposed to be Minggay’s messenger, and the sigbin caried her to the grave; then the witch dug up the corpse and feasted on it. The times when I passed by the hut and saw her lean sow and her black chickens, I wondered if they transformed themselves into fantastic creatures at night.Even in the daytime I dreaded the possibility of meeting her; she might accost me on the trail near her hut, say something about my face or any part of it, and then I might live the rest of my life with a harelip, a sunken nose, or crossed eyes. But I never saw Minggay in her house or near the premises. There were times when I thought she was only a legend, a name to frighten children from doin g mischief. But then I almost always saw her sow digging banana roots or wallowing near the trail and the black chickens scratching for worms or pecking grains in her yard, and the witch became very real indeed.Once I was told to go to Libas with a bottle of medicine for Tio Sabelo’s sick wife. I started from the town at half past five and by the time I saw the balete tree across the creek from Minggay’s hut, I could hardly see the trail before me. The balete was called Minggay’s tree, for she was known to sit on one of the numerous twisting vines that formed its grotesque trunk to wait for a belated passer-by. The balete was a towering monstrous shadow; a firefly that flitted among the vines was an evil eye plucked out searching for its socket.I wanted to run back, but the medicine had to get to Tio Sabelo’s wife that night. I wanted to push through the thick underbrush to the dry part of the creek to avoid the balete, but I was afraid of snakes. I had d iscarded the idea of a coconut frond torch because the light would catch the attention of the witch, and when she saw it was only a little boy†¦ Steeling myself I tried to whistle as I passed in the shadow of the balete, its overhanging vines like hairy arms ready to hoist and strangle me among the branches. Emerging into the stony bed of the creek, I saw Minggay’s hut.The screen in the window waved in the faint light of the room and I thought I saw the witch peering behind it. As I started going up the trail by the hut, each moving clump and shadow was a crouching old woman. I had heard stories of Minggay’s attempts to waylay travelers in the dark and suck their blood. Closing my eyes twenty yards from the hut of the witch, I ran up the hill. A few meters past the hut I stumbled on a low stump. I got up at once and ran again. When I reached Tio Sabelo’s house I was very tired and badly shaken.Somehow after the terror of the balete and the hut of the witch had lessened, although I always had the goose flesh whenever I passed by them after dusk. One moonlight night going home to town I heard a splashing of the water below Minggay’s house. I thought the sound was made by the witch, for she was seen to bathe on moonlit nights in the creek, her loose hair falling on her face. It was not Minggay I saw. It was a huge animal. I was about to run thinking it was the sigbin of the witch, but when I looked at it again, I saw that it was a carabao wallowing in the creek.One morning I thought of bringing home shrimps to my mother, and so I went to a creek a hundred yards from Tio Sabelo’s house. I had with me my cousin’s pana, made of a long steel rod pointed at one end and cleft at the other and shot through the hollow of a bamboo joint the size of a finger by means of a rubber band attached to one end of the joint. After wading for two hours in the creek which meandered around bamboo groves and banban and ipil clumps with on ly three small shrimps strung on a coconut midrib dangling from my belt, I came upon an old woman taking a bath in the shade of a catmon tree.A brown tapis was wound around her to three fingers width above her thin chest. The bank of her left was a foot-wide ledge of unbroken boulder on which she had set a wooden basin half full of wet but still unwashed clothes. In front of her was a submerged stone pile topped by a platter size rock; on it were a heap of shredded coconut meat, a small discolored tin basin, a few lemon rinds, and bits of pounded gogo bark. The woman was soaking her sparse gray hair with the gogo suds. She must have seen me coming because she did not look surprised.Seeing the three small shrimps hanging at my side she said, â€Å"You have a poor catch. † She looked kind. She was probably as old as my grandmother; smaller, for this old woman was two or three inches below five feet. Her eyes looked surprisingly young, but her mouth, just a thin line above the l ittle chin, seemed to have tasted many bitter years. â€Å"Why don’t you bait them out of their hiding? Take some of this. † She gave me a handful of shredded coconut meat whose milk she had squeezed out and with the gogo suds used on her hair.She exuded a sweet wood fragrance of gogo bark and the rind of lemons. â€Å"Beyond the first bend,† she said pointing, â€Å"the water is still. Scatter the shreds there. That’s where I get my shrimps. You will see some traps. If you find shrimps in them they are yours. † I mumbled my thanks and waded to the bend she had indicated. That part of the creek was like a small lake. One bank was lined by huge boulders showing long, deep fissures where the roots of gnarled dapdap trees had penetrated. The other bank was sandy, with bamboo and catmon trees leaning over, their roots sticking out in the water.There was good shade and the air had a twilight chilliness. The water was shallow except on the rocky side, wh ich was deep and murky. I scattered the coconut shreds around, and not long after they had settled down shrimps crawled from boles under the bamboo and catmon roots and from crevices of the boulders. It did not take me an hour to catch a midribful, some hairy with age, some heavy with eggs, moulters, dark magus, leaf-green shrimps, speckled. I saw three traps of woven bamboo strips, round-bellied and about two feet long, two hidden behind a catmon root.I did not disturb them because I had enough shrimps for myself. â€Å"No, no, iti. Your mother will need them. You don’t have enough. Besides I have freshwater crabs at home. † She looked up at me with her strange young eyes and asked, â€Å"Do you still have a mother? † I told her I had, and a grandmother, too. â€Å"You are not from Libas, I think. This is the first time I have seen you. † I said I was from the town and my uncle was the head teacher of the Libas barrio school. â€Å"You remind me of my s on when he was your age. He had bright eyes like you, and his voice was soft like yours.I think you are a good boy. † â€Å"Where is your son now? † â€Å"I have not heard from him since he left. He went away when he was seventeen. He left in anger, because I didn’t want him to marry so young. I don’t know where he went, where he is. † She spread the length of a kimona on the water for a last rinsing. The flesh hanging from her skinny arms was loose and flabby. â€Å"If he’s still living,† she went on, â€Å"he’d be as old as your father maybe. Many times I feel in my bones he is alive, and will come back before I die. † â€Å"Your husband is still living? † He died a long time ago, when my boy was eleven. † She twisted the kimona like a rope to wring out the water. â€Å"I’m glad he died early. He was very cruel. † I looked at her, at the thin mouth, wondering about her husband’s cruelty , disturbed by the manner she spoke about it. â€Å"Do you have other children? † â€Å"I wish I had. Then I wouldn’t be living alone. † A woman her age, I thought, should be a grandmother and live among many children. â€Å"Where do you live? † She did not speak, but her strange young eyes were probing and looked grotesque in the old woman’s face. Not far from here–the house on the high bank, across the balete. † She must have seen the fright that suddenly leaped into my face, for I thought she smiled at me queerly. â€Å"I’m going now,† I said. I felt her following me with her eyes; indeed they seemed to bore a hot hole between my shoulder blades. I did not look back. Don’t run, I told myself. But at the first bend of the creek, when I knew she couldn’t see me, I ran. After a while I stopped, feeling a little foolish. Such a helpless-looking little old woman couldn’t be Minggay, couldn’t be t he witch.I remembered her kind voice and the woodfragrance. She could be my own grandmother. As I walked the string of shrimps kept brushing against the side of my leg. I detached it from my belt and looked at the shrimps. Except for the three small ones, all of them belonged to the old woman. Her coconut shreds had coaxed them as by magic out of their hiding. The protruding eyes of the biggest, which was still alive, seemed to glare at me—and then they became the eyes of the witch. Angrily, I hurled the shrimps back into the creek.

The World’s Wife ‘Little Red-Cap’

How true would it be to say that ‘Little Red-Cap’ is representative of the body of Carol Ann Duffy’s collection ‘The World’s Wife’? Duffy includes a range of themes, which are portrayed in an idiosyncratic way within the collection ‘The World’s Wife’. Most prominently ‘Little Red-Cap’ focuses on the issues of female dominance whilst contrasting it with female exploitation. Alongside, qualities of ambition and independence Duffy can represent her female characters as significant and therefore hinder men’s reputation in the current patriarchal society.This point is further elucidated by Michael Woods who stated ‘the poet fuses these ideas to reinforce the unremitting nullity that is forced upon many women when they are required to take a man's name in place of their own. In fact, the central theme of The World's Wife is encapsulated in this critique upon male arrogance. ’ [1]. Particularly this is something Duffy concentrates on in ‘Queen Herod’, ‘Mrs Rip Van Winkle’, ‘Thetis’ and ‘Mrs Aesop’ alongside ‘Little Red-Cap’. In order to intensify the value of women in society Duffy typically portrays her female characters as more dominant than the males.In ‘Little Red-Cap’ the adolescent’s control is clear especially in the final and penultimate stanzas as the twist on the original tale of Little Red Riding Hood ‘I took an axe to the wolf as he slept, one chop’ gives the narrator the power to dominate over the controlling, male character. Her impatience to escape the wolf’s rugged seduction is especially evident from Duffy’s use of enjambment between these two stanzas where she ‘took an axe / to a willow to see how it wept’.Further her power is apparent from the last line, ‘singing, all alone’, as Duffy explicates the satisfaction with her t riumphant victory over the dark character without the assistance from the hero, typically being a male character. Duffy identifies the problem in which men are portrayed in ‘Queen Herod’ where women commonly see men, deceptively, as a ‘Hero’, ‘Hunk’, ‘the je t’adore’ and showing that this is a problem by incorporating the negatives in contrast, such as ‘The Wolf’, ‘The Rip’, ‘The Rat’.In comparison, the humorous pun used in the final stanza of ‘Mrs Aesop’ portrays the female as over powering through the trenchant ridiculing of the male’s ‘little cock that wouldn’t crow’. Following this, the witty threat; ‘I’ll cut off your tail, all right, I said, to save my face’, which refers to the Bobbit case where his wife cut off his penis, is suggestive of threatening the same act upon him, which ‘shut him up’ and she Ã¢â‚¬Ë œlaughed last, longest’ proving how much control Mrs Aesop has over her husband.Comparatively, there is a distinct semantic field of power in ‘Queen Herod’ from the use of phrases such as ‘I swore’, ‘Do it’ and ‘I sent for the Chief of Staff’, showing the power, and confidence in that power, that Queen Herod has over the male characters. Perhaps this portrayal by Duffy is to influence women that this attitude can be acceptable and possible in our modern day society. Despite this, Duffy contrasts the power of the female gender with the exploitation of females in society.The wolf in ‘Little Red-Cap’ is alluring whilst his chin beholds a hidden sign of adulthood; ‘red wine staining’. The last line of the second stanza ‘he spotted me, sweet sixteen, never been, babe, waif, and bought me a drink’ elucidates the overpowering control the wolf has over the adolescent. It is considerably regarde d as an issue as the adolescent initially sees the wolf as seductive rather than threatening, as seen in most modern day relationships. Perhaps here Duffy is attempting to inform the reader of the dangers of growing up too fast in the company of an influential man.Particularly, in ‘Mrs Rip Van Winkle’ the female ‘sank like a stone’ as if drowning, which creates a traumatic and confining image where the narrator has lost control and explicates her failure. The use of ‘still’ in the extended metaphor ‘I sank like a stone into the still, deep waters of late middle age’ suggests a sense of calmness contrasting with the panic of drowning in from experiencing the menopause. This contrasts gives off the suggestion that it is only the woman that changes meanwhile the rest of the world remains ‘still’ and composed.This is compared with ‘Thetis’ where female exploitation is extremely acknowledged. Similarly, the wif e of Thetis ‘shrank’ and ‘sank’ herself to escape the controlling power of the male character. Identifying this issue allows the reader to regard it seriously thus influencing the reader, which is most likely to be female, to share feminist views and condemn the male population. ‘Little Red-Cap’ especially consists of the themes ambition and independence whilst growing up.The story of ‘childhood’s end’ is the transition from innocence to experience with a journey of impetuous turmoil to find love, passion, sex and independence. For Little Red-Cap, poetry is the reason why she chooses ambition because of its richness, the mystery of its ambiguity and the wolf (the dark, mysterious character) can provide this for her. Perhaps, for Little Red-Cap, growing up is poetic and therefore desirable. This can easily be compared with ‘Mrs Rip Van Winkle’ who, ‘while he slept’, found adventure in her life.As she explains ‘I found some hobbies for myself’ it is evident that she is thinking only of what she wants from the use of personal pronouns for the first and last words of the statement, which further portrays him as unimportant regarding her development in reaching triumph in adventure. This is especially explicated through the sibilance of ‘seeing the sights’ as it conveys these adventures as stimulating thus influencing her female readers to reach out further than their heterosexual relationship.Clearly, Duffy’s collection consists of various profound and weighty subjects and ‘Little Red-Cap’ contains the majority of the themes present in the collection. In an interview in 2005 with Duffy the interviewer, Barry Wood, identified particular poems in this collection that ‘are unashamedly set in a contemporary idiom, re-casting the old stories in terms of modern life’ allowing Duffy to ‘subvert[ing] them’ [2]. Arguab ly, the act of modernisation here allows her readers to identify with the aforementioned issues raised.This therefore allows hope for the future for women regarding their status and value as individuals rather than as simply wives or mothers. As a homosexual, Duffy’s feminist views coincided with the notably iconic statement made by Dorothy Parker; ‘heterosexuality is not normal, it’s just common’ as her collection ‘takes a very common relationship – that of man and wife – and presents a collection of poetic monologues from the perspective of the wife’ [3] in order to give the world’s wife a voice. Little Red-Cap’ has been identified as a personal account of her relationship with her ex-husband in the interview with Barry Wood as he suggestively asks ‘with a strong autobiographical investment, focusing on the idea of yourself as a young poet, asserting your independence. ’ with a reply of ‘CAD:   Yes. ’ therefore proving that the poem is reflective of Duffy’s feminist views and opinions on heterosexual relationships. The World’s Wife’ consists of providing wives of famous and infamous historic, fictional and biblical male characters a voice in society as the majority were not even considered, whilst commonly criticising the male population for its ignorance, arrogance, selfishness; the list is incessant. Because it is a personal poem Duffy’s views are most definitely included within ‘Little Red-Cap’ as are they included in the collection as a whole. Therefore the poem of subjection is representative of the collection ‘The World’s Wife’.Word count: With quotes- 1,245 Without quotes- 952 Bibliography: 1. Michael Woods critique of Queen Herod: http://www. sheerpoetry. co. uk/advanced/carol-ann-duffy/notes-on-selected-poems-advanced/queen-herod 2. Interview with Carol Ann Duffy and Barry Wood: http://www. shee rpoetry. co. uk/advanced/interviews/carol-ann-duffy-the-world-s-wife in 2005. 3. An essay written by username: doralulusparky http://www. studymode. com/essays/The-World-s-Wife-Carol-Ann-Duffy-598083. html in February 2011.

The Changing Face of TV essays

The Changing Face of TV essays African American are living better they were twenty years ago and so our television shows need to reflect that. We now see real people along with the portrayals of African Americans who are lawyers, doctors, and successful entertainers who also, earn major roles where the plots revolve exclusively around them. The quantity of programming devoted to African American culture today, provides us with unlimited choices from which to choose. After careful study, Steinhorn and Diggs-Brown concluded, During the hours when only one show depicts an African American character, we find that the media consistently depicts African Americans as good hard working people in positions of authority. We also see the familiar faces of celebrities selling various products (590-591). While the depiction of African Americans in the media has made great strides in recent years, many of the shows that we know and love today are still infused with negative stereotypes. On the surface, they seem to be sayi ng positive things about African Americans, but underneath they still illustrate the slanted view typical of American TV. When we examine two popular shows, Frasier and Girlfriends we see how the depiction of race has changed and how it has stayed the same, helping prevent an honest depiction of African American culture. We have already established that negative images persist, but they do not represent the African American community as a whole. We now know that class structures within the African American community decide what type of life you will live. Frasier and Girlfriends display different views of African American life and how we communicate. Both shows depict the lives of the upper-middle class, so they are somewhat similar in that respect, but each choose to use different races which is ironic because both are produced by the same person. Change the race of the characters and it c...

Free Essays on Through A Childs View

Through A Child’s View The Little Prince is a short novel that states the fact that children are the wisest, most intelligent people living. The reason the author tries to get this message across is because he feels that the simple things that children see and think about are in fact the most important things in life, and adults can no longer see them because they are blinded and callused to them from their experiences that they have had in their lives. The Little Prince thinks that grown ups are very misled, and have their priorities in life all out of line. The examples that the author uses to prove this are the examples of the businessman, who does nothing but count stars â€Å"money† and the vain man who wants nothing but praise, or the drunk who only drinks. I think the way the author describes the drunkard is just awesome because he says that the drunk only drinks because he has to drown out the fact that he feels very guilty for drinking. That is exactly how I see drunks and I wish that they would realize that their problems are mainly caused by their drinking and if they would stop then they could handle their problems instead of making them worse. The Little Prince has respect for one of the characters he meets far above the rest. This man was the lamplighter. He respects that lamplighter because this man does not do the job he is given just for himself. The lamplighter lights the lamps for the other people out there who need the light. There are really no people that need the light but the lamplighter does his job anyway. A theme taught in this story that the author shows is the sense of emotion felt in the heart. â€Å"One sees clearly only with the heart. Anything essential is invisible to the eyes. (63).† The author states this fact when the Little Prince is bidding farewell to his fox that he has grown very fond of and is telling him about the rose who is also his friend. I think that the author’s point is that t... Free Essays on Through A Child's View Free Essays on Through A Child's View Through A Child’s View The Little Prince is a short novel that states the fact that children are the wisest, most intelligent people living. The reason the author tries to get this message across is because he feels that the simple things that children see and think about are in fact the most important things in life, and adults can no longer see them because they are blinded and callused to them from their experiences that they have had in their lives. The Little Prince thinks that grown ups are very misled, and have their priorities in life all out of line. The examples that the author uses to prove this are the examples of the businessman, who does nothing but count stars â€Å"money† and the vain man who wants nothing but praise, or the drunk who only drinks. I think the way the author describes the drunkard is just awesome because he says that the drunk only drinks because he has to drown out the fact that he feels very guilty for drinking. That is exactly how I see drunks and I wish that they would realize that their problems are mainly caused by their drinking and if they would stop then they could handle their problems instead of making them worse. The Little Prince has respect for one of the characters he meets far above the rest. This man was the lamplighter. He respects that lamplighter because this man does not do the job he is given just for himself. The lamplighter lights the lamps for the other people out there who need the light. There are really no people that need the light but the lamplighter does his job anyway. A theme taught in this story that the author shows is the sense of emotion felt in the heart. â€Å"One sees clearly only with the heart. Anything essential is invisible to the eyes. (63).† The author states this fact when the Little Prince is bidding farewell to his fox that he has grown very fond of and is telling him about the rose who is also his friend. I think that the author’s point is that t...